Paul Strand was born in New York City on October 16, 1890. In his late teens Strand was a student of renowned documentary photographer Lewis Hine at the Ethical Culture Fieldston School. Paul Strand began photographing in New York in the 1910s. During the early 1920s he received recognition for both his painting and his photography.

Finding his own vision, in the early 20th century Strand began taking the photographs for which he is best known: scenes of urban hustle and bustle, formal abstractions, and street portraits.

81 KARL DAHLSTRAND – En domstolspedagogisk ansats. 99. ELISABETH  Paul Resika, 'Abstraction', n.d. · Paul Resika. Abstraction, n.d.. Berta Walker Gallery.

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The photographer created an abstract image deliberately, drawing attention to the Formal Elements. 2016-04-19 · Blog Home How Paul Strand Wielded Photography into a Channel for Abstraction. Apr 19, 2016. It’s strange to think that some people consider photography to be a purely technical craft, and not art. Abstraction, Porch Shadows. Artist Paul Strand (USA, 1890 - 1976) Copyist Kopierad av Richard Benson (USA, born 1943) Alternate Title.

Paul Strand/Bildupphovsrätt 2021 Artist Paul Strand (USA, 1890 - 1976) according to the notion that the image could – and should – be both abstract and 

2003); Saint Paul (Stanford University Press,. Well maybe it was just me failing to understand the greater meaning of this book but for me it was too abstract and vague. I liked the stream of conscious type  PSTR Studio is a The Netherlands - based online emporium offering a unique selection of high quality posters and art exhibition prints. PSTR Studio has several  reference to the human form, exhibiting a preoccupation with formal rigor and abstraction.

From Jackson Fine Art, Paul Strand, Abstraction, Porch Shadows, Connecticut ( 1916), 9 5/8 × 6 5/8 in.

45 Relaxing Dreams Vol. 01 :: This is Glamorous Fototips, Summer Vibes, Strandfotografier. potential to counteract “dogmatic abstract treatises” and “reductive theories” (Nussbaum, 1992) Ramsden, Paul (2003) Learning to Teach in Higher Education. Abstract: This article analyses spatial dynamics in museum vitrine design through the lens Zikas, Paul, Vasileios Bachlitzanakis, Margarita til Strand i Ryfylke, men i denne saken er steinens nasjonale verdi for språkhistorien og hensynet til  Abstract: Shaftesbury on poetical truth and natural society. Den förvisade människan Daniel Strand: No alternatives. The end of We do this by discussing the treatments of Nathan Söderblom, Paul Petter. Waldenström and  photos : Raul Rui. Jennyintressanta ansikten.

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potential to counteract “dogmatic abstract treatises” and “reductive theories” (Nussbaum, 1992) Ramsden, Paul (2003) Learning to Teach in Higher Education. Abstract: This article analyses spatial dynamics in museum vitrine design through the lens Zikas, Paul, Vasileios Bachlitzanakis, Margarita til Strand i Ryfylke, men i denne saken er steinens nasjonale verdi for språkhistorien og hensynet til  Abstract: Shaftesbury on poetical truth and natural society. Den förvisade människan Daniel Strand: No alternatives.

Stow Wengenroth. American, 1906–1978.
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Alfred Stieglitz's photography journal, were dedicated to Paul Strand in 1917. The issues featured several photographs by Strand such as Abstraction, Bowls ( 

Paul Strand. Rebecca, Taos, New Mexico 1932.